A painter who surfaces after having disappeared for seven years finds himself contending with art forgeries and a crooked art dealer.

A group of senior sleuths passionate about solving cold cases get plunged into a real-life murder mystery in this comic crime caper.

THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.

“Twice A Man is a fragmented re-imagining of the Greek myth of Hippolytus, who was killed after rejecting the advances of his stepmother. Markopoulos’ vision transposes the legend to 1960s New York and has its main character abandon his mother for an elder man. Employing sensuous use of colour, the film radicalised narrative construction with its mosaic of ‘thought images’ that shift tenses and compress time. One of the touchstones of independent filmmaking, Twice A Man was made in the same remarkable milieu as Scorpio Rising and Flaming Creatures by a filmmaker named ‘the American avant-garde cinema’s supreme erotic poet’ by its key critic P. Adams Sitney.” —Mark Webber 　　Based on the story of Hippolytus. Featuring Paul Kilb, Olympia Dukakis, Albert Torgesen. Music: Excerpt from Manfred Symphony by Pyotr Tchaikovsky op. 58. Filmed in New York City, Staten Island, Long Island and Bear Mountain Park.

“Twice A Man is a fragmented re-imagining of the Greek myth of Hippolytus, who was killed after rejecting the advances of his stepmother. Markopoulos’ vision transposes the legend to 1960s New York and has its main character abandon his mother for an elder man. Employing sensuous use of colour, the film radicalised narrative construction with its mosaic of ‘thought images’ that shift tenses and compress time. One of the touchstones of independent filmmaking, Twice A Man was made in the same remarkable milieu as Scorpio Rising and Flaming Creatures by a filmmaker named ‘the American avant-garde cinema’s supreme erotic poet’ by its key critic P. Adams Sitney.” —Mark Webber 　　Based on the story of Hippolytus. Featuring Paul Kilb, Olympia Dukakis, Albert Torgesen. Music: Excerpt from Manfred Symphony by Pyotr Tchaikovsky op. 58. Filmed in New York City, Staten Island, Long Island and Bear Mountain Park.

Retired archaeologist Judith Potts lives alone in a faded mansion in the peaceful town of Marlow, filling her time by setting crosswords for the local paper. During one of her regular wild swims in the Thames, Judith hears a gunshot coming from a neighbour's garden and believes a brutal murder has taken place.

Murder is something to sing about when Mystery Woman Samantha Kinsey-an expert in pulp fiction, and increasingly proficient when it comes to real-life crime-untangles a record-breaking murder. Mystery Woman bookshop owner, Samantha Kinsey, has offered to host a charity concert for a once-famous folk-rock trio out to recapture their old fame flame. But sweet success hits the ultimate sour note when the band's promoter is found murdered in his hotel room. Sam and her partner in crime, Philby, investigate, digging up deadly secrets of private indiscretions, professional greed, and personal vengeance that put a twisted spin on fame and fortune-and bring a whole new meaning to a Top Ten hit.

Women's Murder Club was an American police procedural and legal drama. Longtime friends involved in homicide investigations gather to work off the clock to solve cases. District Attorney Jill has issues with her past, medical examiner Claire is dealing with a husband newly in a wheelchair, and tough Detective Lindsay suddenly finds herself working under her ex-husband. Despite personal issues, they allow young reporter Cindy to join their "club."